Classic design
An animal, flower, skull or symbol is given a clear silhouette and bold outline.
Traditional tattooing uses bold linework, a clear silhouette and a limited palette to keep the design legible and assured.

The strength of the design comes from simple composition, contrast and well-chosen scale.
An animal, flower, skull or symbol is given a clear silhouette and bold outline.
One design can stand alone or form part of a collection built over time.
We adapt the palette and fills to the design and desired contrast.
Before preparing the design, we check the silhouette, line weight, colour palette, size and relationship to other tattoos.
The main shape must be clear without unnecessarily small elements.
A bold outline holds the design together and separates its different areas.
A limited number of colours supports the contrast and character of the style.
We adapt the orientation of the design to the shape of the body and surrounding tattoos.
Studio portfolio
Traditional tattoos rely on solid linework, saturated colour and a design that reads at first glance. The selection includes classic subjects and original variations.
Igor works with traditional tattoos, Japanese designs and blackwork. He builds each design around bold linework and a clear composition.
The composition and amount of detail determine how demanding the design is to prepare.
The dimensions must preserve the clarity of the chosen design.
The shape and movement of the body area affect both preparation and tattooing.
Bold linework, colour fills and solid black areas place different demands on time and tattooing.
We will recommend a suitable artist based on the specific design and style.
Add the placement on the body, approximate size and references.
Based on the style and scope, we will recommend a suitable artist and the next step.
Before booking, we will discuss the design, scope, appointment date and deposit terms.
Yes. We will adapt it into a clear traditional composition and confirm the scope of the changes in advance.
Yes. When choosing the placement, we consider how future pieces might connect and leave enough space for them.
Send the design, placement on the body, approximate size and references. We will provide an estimate only after assessing the brief.
We consider the style, approach, scope and palette, then recommend the artist best suited to the project.
The design, placement on the body, approximate size and references are enough. For a cover-up or touch-up, also include a clear photograph of the existing tattoo.
We will assess the silhouette, size, palette and placement, recommend a suitable artist and suggest the next step.