Ornament and geometry
A regular rhythm of dots supports the symmetry and structure of the design.
Dotwork creates shading and texture using dots. The result depends on dot density, contrast and a design that is large enough.

A delicate result comes from controlling density and rhythm, not from accumulating detail.
A regular rhythm of dots supports the symmetry and structure of the design.
A dotted gradient can replace a solid grey area.
Dotwork works well with linework, blackwork and negative space.
Before preparing the design, we check the dot density, line weight, contrast, size and how the design relates to the anatomy.
The spacing between dots determines the brightness, shading and legibility of an area.
Light and dark sections must remain clearly separated.
If the design is too small, subtle transitions and details may merge.
We adapt the direction and repetition of elements to the movement of the chosen part of the body.
Studio portfolio
Our current portfolio does not yet contain a piece confirmed as classic dotwork. Alex uses whip shading, which is a different technique, so we do not include her work in this gallery.
We will add to the gallery once we have a verified piece in this style.
Our current portfolio does not contain a confirmed classic dotwork piece. Alex works with whip shading and Daria with graphic styles. We therefore confirm which technique is suitable for each specific design.

Clean lines, small formats and high-contrast designs where precision is essential.
Fine line, small tattoos, blackwork
We recommend a suitable artist based on the design, size and chosen technique.

Graphic work, watercolour and abstract compositions. For a specific dotwork design, we first confirm which technique is suitable.
Graphic work, watercolour, abstract designs
We recommend a suitable artist based on the design, size and chosen technique.
The composition and amount of detail determine the complexity of the design.
The dimensions must preserve the legibility of the chosen design.
The shape and movement of the body area affect both preparation and tattooing.
The dot density and number of shaded areas affect the time and complexity of the work.
We recommend a suitable artist based on the specific design and style.
Add the placement on the body, approximate size and references.
Based on the style and scale, we recommend a suitable artist and the next step.
Before booking, we discuss the design, scale, appointment and deposit terms.
Yes, if the design is simple enough. Subtle transitions and dense shading often need a larger area.
Yes. Linework can define the silhouette, while dots create shading, texture or a transition.
Send the design, placement on the body, approximate size and references. We prepare an estimate only after assessing the brief.
We consider the style, technique, scale and colour, then recommend the artist best suited to the project.
The design, placement on the body, approximate size and references are enough. For a cover-up or touch-up, also add a clear photograph of the existing tattoo.
We assess the design, amount of detail, size and placement, recommend a suitable artist and suggest the next step.