Direct cover-up
This makes sense when the old design allows for a new shape, sufficient scale and the required contrast.
From a photo, we can determine whether a cover-up or rework makes sense, or whether the old pigment should be lightened first.

The new design must genuinely incorporate the existing tattoo, not simply be drawn over it.
This makes sense when the old design allows for a new shape, sufficient scale and the required contrast.
We retain the main idea and adjust the artwork, composition, contrast or surrounding elements.
For a very dark or saturated tattoo, professional laser lightening may create more options for the new design.
There is no single design that will cover everything. We assess the old pigment, the available space on the body, the condition of the skin and your idea of the result.
Dark and saturated areas restrict the brightness, delicacy and colour palette of the new design.
The new design often needs more space so that it can incorporate the old lines without looking heavy or cramped.
A fresh tattoo must be fully healed before any further work. Changes or reactions in the skin should be discussed with a doctor first.
The more open you are about the shape, scale and style, the more scope the artist has to create a clean solution.
Studio portfolio
We have two pieces that are confirmed cover-ups. A photo of the finished tattoo alone is not enough for us to label a piece as a cover-up.
Cover-up is not a single style. Xenija, Daria, Alex and Igor work on different types of cover-ups, so we recommend a suitable artist only after reviewing the photo and discussing the project.

Colour cover-ups and larger compositions that work with the shape, saturation and colour of the original design.
Cover-up, colour realism, larger projects
We recommend a suitable artist based on the design, size and chosen technique.

Cover-ups and reworks of older tattoos using watercolour, graphic elements and artistic composition.
Cover-up, restoration, watercolour, graphic work
We recommend a suitable artist based on the design, size and chosen technique.

Cover-ups and restoration of older tattoos using black-and-grey realism, graphic work and whip shading.
Cover-up, restoration, black-and-grey realism
We recommend a suitable artist based on the design, size and chosen technique.

Cover-ups and blackouts in bold blackwork, traditional and Japanese compositions.
Cover-up, blackout, blackwork
We recommend a suitable artist based on the design, size and chosen technique.
Its darkness, colours, size and condition determine the complexity of the cover-up.
The composition must work with the existing pigment and draw attention away from it.
A larger area may be necessary to achieve a clean shape and balanced contrast.
A direct cover-up, a rework and work after lightening each involve a different level of complexity.
We select the artist according to the style and requirements of the specific project.
We need the whole design, a close-up and the wider surrounding area on the body, without a filter.
We distinguish between a direct cover-up, a rework and a situation where lightening first makes sense.
We confirm the direction of the design, its scale, a suitable artist, the appointment and the deposit terms.
Photograph the whole tattoo straight on, in daylight and without a filter. Add one close-up and a photograph showing the wider surrounding area on the body.
Not always directly. The darkness, colours, size, condition of the skin and space for the new design all matter. For some tattoos, we recommend a rework or prior laser lightening.
It often needs a larger area and strategically placed darker sections, but there is no universal ratio. We can determine the specific scale only from a photograph.
Mainly when the existing tattoo is very dark or saturated and you want a lighter, more delicate or smaller result. Laser treatment is carried out by a qualified healthcare provider, not by our studio.
No. The tattoo must be fully healed and the skin settled. If the skin is changing, painful or reacting, discuss its condition with a doctor first.
The aim is for the new tattoo to work as an independent composition. The result depends on the existing pigment, the skin, the chosen design and healing, so we do not promise complete coverage without an assessment.
Send the design, placement on the body, approximate size and references. We prepare an estimate only after assessing the brief.
We consider the style, technique, scale and colour, then recommend the artist best suited to the project.
The design, placement on the body, approximate size and references are enough. For a cover-up or touch-up, also add a clear photograph of the existing tattoo.
We will tell you whether a cover-up or rework is suitable, or whether lightening should come first, and recommend the next step.